Plenty of applications reformat digital content to look more like print. Kapow! does the exact opposite by typesetting a bricolage of fractured stories. Though the book draws on a rich history of visual writing (MoMA’s new show about alphabets addresses the tradition), it may be the first novel to mimic how we read in the digital age. (via Novel Evokes Middle East’s Twitter Revolution, With Melting Paragraphs And Fold-Out Pages | Co.Design: business innovation design)
ANIMATED CAMERAS
A great collection of animated cameras by Antonio Vicentini. via fifine
SUBMISSION: Piles of harvested salt in Saline Valley, CA. 1912 or 1913.
ed: Surreal!
A personal message is more and more often sent digitally. Intangible, floating in the air, only readable on a screen. The Cryptographer generates pattern by translating words to a code. Bleached into fabric the message becomes tangible. Invisible words, with a physical impact. Controlled by text messaging each character is transformed into a specified icon, resulting in ever changing patterns, depending on the users input.
The bleach proces is applied by a pen attached to the print head of the Cryptographer. Reacting differently on each textile dye the bleached shades vary. Size and scale of the pattern is determined by the amount of words send to the printer.
(via RAW COLOR)
Patrizia Marti - The Beauty of Interaction, at re:publica 2012
(via sebastianwaters)
Reinterpretation of the relationship between battery and clock. Behind the clocks, batteries always provide the power that allows clock to work. Batteries summon up courage to demand more active relationship, willing to play the role of hands of a clock
Front and back by Gina Woo
(via johnisinsveeden)
Nice to see that not only humans make mistakes, but also the machines..
“Errors in production is an ongoing collection of a variety of products with individual manufacturing errors.” - Heike Bollig
(via Today you inspired me: error.)
mal was anderes als meister propper…
(via creaturecomfortsblog)